#The Bluest Eye Quotes Movie She Starred#

The Bluest Eye Quotes Movie She Starred

She was her friend, daddy, and uncle because they are from the same race but also because, like Bojangles gave his attention to Shirley instead of black children, they give their attention to people like Shirley instead of her. Bojangles was Shirley Temple's family black worker or something in the movie she starred. It had occurred to Pecola some time ago that if her eyes, those eyes that held the pictures, and knew the sightsif those eyes of hers were different, that is to say, beautiful, she herself would be different.Claudia didn't like her because she took Bojangles' attention from 'her'. Pecola prays for her eyes to turn blue so that she will be as beautiful as beloved as all the blond, blue-eyed. Set in the author's girlhood hometown of Lorain Ohio, it tells the story of black, eleven-year-old Pecola Breedlove. The Bluest Eye is Toni Morrison's first novel, a book heralded for its richness of language and boldness of vision.

Pecola, like many other characters, sees light eyes (e.g., blue or green eyes) as a sign of beauty. In a book titled The Bluest Eye eyes are an obvious symbol. She also thinks that by not choosing her more people will agree with her and she will take away her fans like Shirley took away her people, and hopefully regain Bojangles.Light Eyes. She shows her distaste towards Shirley by saying that she prefers her rival Jane Withers than her.

The Bluest Eye quote - Beauty was not simply something to behold it was something. Claudia saying that she prefers Jane Withers is, to her, the best way for her to assert her independence from Shirley, and white culture in general.The Bluest Eye Quotes. Jane was never as popular as Shirley because she was used as a foil to Shirley. Jane Withers got her first movie role in the Shirley Temple film Bright Eyes, but her character was obnoxious and rude, which helped emphasize how sweet and cute Shirley was. Another thing to note is that Claudia proclaiming that she likes Jane Withers is not random. Morrison uses this admiration for light eyes as a symbol of how African Americans learn to hate.

In many cultures, a family consists of many generations all living under one roof, but this picture supports the idea that only the nuclear unit should share a house. For instance, Hispanics and African Americans cannot feel like they share a common culture with their own nation when it presents such a radically different home than the one they experience. While this paragon of society may be a logical American Dream for some, it automatically excludes people whose identity, appearance, socioeconomic status, domestic situation, or location does not fit this happy picture.

However, in reality, the earth is an 'unyielding' or depraved place. Essentially, the girls have taken on the burden of things that they don't have control over. All they know is that Pecola is their friend and that they should help her. Following are popular hurt quotes and sayings on being/feeling hurt.At this point in their lives, Claudia and Frieda don't fully understand the circumstances behind Pecola's baby. MangaToon is a Global APP.

Marigolds have different uses and significances among certain cultures. They realize that certain problems in the world are beyond their grasp, and that situations are much more serious and complex than they assumed.Another note to make is the symbolism of marigolds. The statement about the earth signifies an epiphany Claudia and Frieda have had about the world around them. To Pecola, society only proves to be a place of perversion, evil, and hardship without relief. In terms of Pecola, Pecola doesn't have a loving and warm family, and is a victim of her environment.

Pecola starts off as 'sacred' or innocent, and her father takes advantage of her. If Marigolds are valuable and serve as protection, the marigolds the girls planted that didn't sprout could symbolize that Pecola was not protected from the pervasive 'diseases' around her. They were even used to protect against the plague and fend off other diseases.

Morrison's use of the word gesture is intended to emphasize that, once again, that being upper-class was simply a performance.By comparing the birdlike motions to a performance, Morrison is alluding to the fact that being upper-class is simply an act, not something that those are born into, or that white people deserve more than others.Funk was a musical genre created in the 60s that blended soul, R&G, and jazz. Morrison claims that Pecola has wings, alluding to the fact that all people should be able to reach the American Dream and freedom, yet African Americans are unable to do so.By later referring to Pecola's motion as 'birdlike,' Morrison is suggesting that Pecola was so desperate to attain her beauty, the 'blue void', that she drove herself insane and now the 'gestures' have worn away. In this passage, Morrison is suggesting that the ability to fly represents freedom, and social mobility, and provides stark imagery of Pecola struggling hopelessly to reach this goal. By stating that they had tried to plant their marigolds 'just as Pecola's father had dropped his seeds in his own plot of black dirt' Claudia artfully and fantastically presents the predicament that Pecola is in, making it seem illusory or unrealistic, which is very likely of how Claudia and Frieda are understanding and coming to terms with the nature of rape.Morrison consistently uses bird and fowl imagery throughout the novel to represent freedom, and the ability to attain the American Dream.Earlier in the passage, Morrison describes Pecola as 'beating the air, a winged but grounded bird, intent on the blue void it could not reach—could not even see—but which filled the valleys of the mind,' (204).

By cleaning the body of this funk, these women are clearing away any progress that they have made towards racial equality. They are afraid that any sexual activities will allow them to be one with their bodies and thus open about their racial identity.Grooming their funk ties to the theme of cleanliness, funk being the dirt that accumulates after working. By repressing these traits, they are repressing their bodies from a sexual standpoint. Funk was also directly tied to the Black Power Movement, embracing the beautiful, black body.By wiping away their Funk, these women are trying desperately to deny their skin color and appear white. Funk originally referred to body odor, the musical movement embracing self-expression. Funk was a representation of naturalism, individuality, and expression.

Though Claudia and Frieda's actions are childish and often doomed to failure, they are still examples of vigorous responses to oppression. Their active and energetic responses contrast sharply with Pecola's passive suffering. The MacTeer girls take an active stance against whatever they perceive threatens them, whether it is a white doll, boys making fun of Pecola, Henry's molestation of Frieda, or the community's rejection of Pecola. It can be read as a concise description of Claudia and Frieda's ethos as a whole. It is this bleach that stops their funk from growing, from any progress being made and furthermore kills their drive to pursue the American Dream.This quotation is from Claudia, and it occurs in the second-to-last chapter of the novel.

As adults, they will learn to respond to antagonism in more indirect and perhaps more self-destructive ways. Frieda and Claudia are able to be active in part because they are protected by their parents, and in part because they do not confront the life-or-death problems that Pecola does.